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Bio: Reynir Hutber

Bio: Reynir Hutber

 
 
 
Reynir Hutber is a London-based artist working with emerging technology. Reynir is collaborating with IJAD as an ‘Experience Designer’, filmmaker and media researcher.

 

 

 

How would you best describe your work? 

‘I am a London based artist working with emerging technology. I combine performance and technology to create immersive installations that often invite the participation of the audience.’

 

What’s your role with IJAD?

I am collaborating with IJAD as an ‘Experience Designer’, filmmaker and media researcher.

 

What attracted you to In-Finite?

‘I was attracted by the opportunity to research and explore potential relationships between dance and technology. I was also interested in the way in which social media could be used as a tool to include people in the development of a performance.’

 

Tell us something about your secret…

‘Sometimes I find it amusing and other times frightening.’ Read more on Reynir’s work with IJAD and the In-Finite project in his post, Art and Technology. He also tweets: @reynirhutber

 

 
In-Finite comes to Rich Mix, London on 8th March. Bookings here.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Bio: Héléna Casari

Bio: Héléna Casari

Héléna began dancing at the age of 5 at the conservatoire of Cergy and went on to join the contemporary section of the Paris Conservatoire (director Mrs Moreno) where she was taught by Catherine Vesque and Sabine Ricou, ‘who really inspired me’. In London, she did her Bachelor in Dance Theatre at the Laban Conservatoire and regularly took part in the Laban’s Events, such as “Common Bodies in a Space of Difference” by Zoi Dimirtiou (tour in London and Athens), repertoire pieces (Scramble by Cunningham) and her own choreographies.
After a placement in the Carolyn Carlson dance company during the creation of her new work “Synchronicity”, Héléna joined the IJAD dance company as a dancer (December 2012). She tweets at @hlnac
 
Photo by Yves Kossi
 
 

What attracted you to In-Finite?

The way Joumana uses the self to connect the dancers and the audiance. I believe in this creation process. the self plays an integral part in human motivation, affect, and social identity and sharing a secret can change your self-perception and your relationship with others. So, it could totally interest everybody and have an impact beyond coming to see the performance.


What’s the most exciting part of the project?

First working on my secrets was really exciting but at the same time scary: How can you approach such a personal subject, it’s not something you want to spend time on, you just want to lock it somewhere and that’s it. The idea of showing my secret to an audience is scary I get afraid that somebody will get what it is and will judge me. But finally, when I saw all the other dancers and people on IJAD’s website sharing their secrets, I felt much more comfortable to realease my stress and feel OK to open myself to others. Being more comfortable with myself and my secret will end in me being much more tolerant with my past and my old choices.

I hope we can find the best way to make people feel comfortable to share their secrets and find use in this process and maybe even apply it to their future.

So what has sharing your own secret meant for you?

My secret started when I was a child I didn’t wanted to hurt my family and so I kept it to myself for a long time. Now as a young adult I realise that it had an impact on my life and maybe if I was able to share it in a more free way with people, my life would have been very different. Sometimes for family or society reasons or even my own self-conscious I have been ashamed of myself but now I just want to free myself and make a step forward, accepting my past. As a process it works beyond interpretations. It’s a very honest, intense, challenging experience.

In-Finite comes to Rich Mix on 8th March 2013. For bookings click here.

 

 

 

 

The Digital in the Creative: a manifesto

The Digital in the Creative: a manifesto

COLLABORATE : CREATE : COMMUNICATE

IJAD Dance Company is getting people dancing.

Through workshops, performances and our projects we’re getting people in every country in the world to dance at one time as a statement of personal empowerment. We use contemporary dance as the main tool of its social mission to unlock a person’s creativity and empower them. Dance gets people healthy. It gets people together and it gets people unleashing the tremendous energy inside themselves.

So, what does technology have to do with this?

Technology interprets. Technology communicates. Technology is intrinsically creative.
Technology creates bridges.

Think of your favourite place.
You have a camera – how would you photograph it?
Just by thinking about this you’re using your creative self.
By taking that photograph you are comparing reality with your interpretation of it.
By sharing it you are trying to communicate your perspective of the world to other people.

As soon as your idea leaves your head others can interpret it and collaborate with you to turn it into something new. That’s how performances are made. The director has an idea they relate to the dancers. They relate to the sound designer, to costume, to lighting, to set, to props. All those people see the vision, work together and create something else. Something beautiful.

With In-Finite we’re doing this using secrets. We’re doing it with social media. During one of our workshops, Turning Social Media into Creative Media, we asked participants to think about their secret, to feel where it sits, to interpret it and express it through Twitter:

“Tentative, sliding, haltingly curious. Releasing and losing the fire all at once. #SMDTworkshop”

Without knowledge of the actual secret, we then explored that sentence, physically. We then reinterpret it with technology. Images are from workshops. You can see more on our website.

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ONE
Humans are always finding new ways to express themselves and to try to pass to others what they see.

Drawing, painting, sculpting, mapping, photographing, filming, tweeting, blogging…. the list goes on.

Creativity can be built on top of Technology. IJAD is leading the way with its experiments in using it in the creative process. We are sharing it with everyone. We are inviting everyone to experiment with us.

TWO
We think nothing of an instant message to a friend halfway round the planet telling them how nice this cheese sandwich is. Lets do more than that. Let’s show people in every country how we’re expressing ourselves in the deepest ways. We don’t just want to talk to them. We don’t just want to send them an image. We don’t just want to show them a film. We want to show them what we are doing – right now. And we want them to talkback – right now.

Let’s take this phenomenal juggernaut of digital possibility and do something empowering. Let’s share our heritage, our countries and our culture. Let’s present our talented performers, our striking venues and our passionate audiences. And let’s see what can be shared back.

As artists we are responsible for getting the word out about they way we interpret what it is like to be human. So lets do that. With technology – with tools already integrated into our lives Powerfully. Globally.

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How are we doing this?

Sensography
Ever filmed a school play or your favourite band? Not quite the same as being there is it? We’re changing that. We’re experimenting with performers and developing methods for them to interact with the audience at the other end of the camera as well as the other end of the room.

This is exciting. This is new. We’re reaching out to touch an audience who isn’t in front of us. Our content comes from our audiences around the world in ways it couldn’t before, and we’re interpreting it using technology. Collaborating with dancers using technology and sending our work around the world, using technology.

In creating a production we use movement and story but that isn’t performance. The art of performance is how we communicate it in ways which have the most impact and the most meaning. We do this through connecting with vast numbers of people and affecting them deeply. This is the art of IJAD. This is the art of technology.

We’re building a pick-up-and-play tool-kit for venues and artists to share what they’re doing using technology – without the headache of too many platforms and not enough know-how.

We’re running workshops with students of dance to give them vital understanding of the digital world in dance practice.

We’re running workshops with the public to find out how they are using media in their everyday lives and how they express their ideas using technology and dance

We’re changing audiences.

Not only are we invigorating established dance enthusiasts, we’re drawing in a whole new generation – we’re speaking in ways already integrated into society. Think about the X Factor. Do you think people watching dim the lights and watch passively? No. They invite their mates over and gossip, they tweet to their friends, they share images of the show on facebook, they download the ringtones and they broadcast their views to the world.

We are not saying the format of current performance is bad, we’re saying, let’s create multiple ways of enjoying it for multiple people. Let’s allow people to gossip, tweet, share, follow and comment on a performance and share with each other other how it’s being done. Let’s give people permission to talk to us. To each other. Everywhere.

In this way we’re allowing people to interpret our content in the way they want to. We are also connecting them with other people experiencing it around the globe – what better way to share culture, ideas and understanding?

Technology belongs in the performance world.

MORE POP UP COLLECTION!

MORE POP UP COLLECTION!

 

This time it was the South Bank that hosted the IJADteam on a sunny Saturday.

Our Shhh gets bigger and bigger as more punters get curiously closer to our little corner of hidden stories – now equipped with lemonade and a coffee table!

We discovered that Saturdays and the Thames attract a quieter crowd that prefers writing rather than talking so our In-FInite webpage is now filled with new generous stories…

Our stand is only beginning its journey and maybe the next time you’ll be able to see it overseas… but it’s a big hush-hush for now, SHHH!

Follow us for more, pictures on Facebook and Twitter!

POP UP SECRETS!

POP UP SECRETS!


Pop up secret collection

 

Sunday afternoon on Brick Lane market.

Stalls of clothes, furniture, food and… secrets!

The IJADteam set about on the sunny closing day of the Olympics for face to face social media in the streets of London, the result is pretty impressive!

We collected so many different and surprising secrets we just won’t be able to stop popping up everywhere, at every market, every single week!

The first few curious looks from the crowds started as we put up three big white sheets on a closed shutter of an estate agency. When the “Shhh” sign was up the first few comments started:
“Shh? What are you telling me to Shhh for?”,

“Oh go on, let’s see what the Shhing is all about”.

So through our yellow post its, through listening, through recording and facebooking we managed to collect untold stories and can now share them with you on this less sunny Monday morning!

This is definitely just the beginning of our pop up adventure, watch out for us on street corners!